יוני 2017

הספרייה מציעה לקוראיה מידי חודש רשימת ספרים וכתבי-עת חדשים שנוספו לאוספיה כל רשומה מכילה:
מס' מיון, מחבר, כותר, מוציא לאור, שנת הוצאה , נושאים, מס' מערכת תוכן עיניינים ותקציר.
כדי לראות מצב ההשאלות יש ללחוץ על כותר.

 

 

 279.16 NEI
Neilson, Reid L. 1972
Oxford ; New York : Oxford University Press, 2011
Abstract
The 1893 Columbian Exposition, also known as the Chicago World’s Fair, presented the Latter-day Saints with their first opportunity to exhibit the best of Mormonism for a national and an international audience after the abolishment of polygamy in 1890. The Columbian Exposition also marked the dramatic reengagement of the LDS Church with the non-Mormon world after decades of seclusion in the Great Basin. Between May and October 1893, over seven thousand Latter-day Saints from Utah attended the international spectacle popularly described as the ’’White City.’’ While many traveled as tourists, oblivious to the opportunities to ’’exhibit’’ Mormonism, others actively participated to improve their church’s public image. Hundreds of congregants helped create, manage, and staff their territory’s impressive exhibit hall; most believed their besieged religion would benefit from Utah’s increased national profile. Moreover, a good number of Latter-day Saint women represented the female interests and achievements of both Utah and its dominant religion. These women hoped to use the Chicago World’s Fair as a platform to improve the social status of their gender and their religion. Additionally, two hundred and fifty of the Mormon Tabernacle Choir’s best singers competed in a Welsh eiseddfodd, a musical competition held in conjunction with the Chicago World’s Fair, and Mormon apologist Brigham H. Roberts sought to gain LDS representation at the affiliated Parliament of Religions.
In the first study ever written of Mormon participation at the Chicago World’s Fair, Reid L. Neilson explores how Latter-day Saints attempted to ’’exhibit’’ themselves to the outside world before, during, and after the Columbian Exposition, arguing that their participation in the Exposition was a crucial moment in the Mormon migration to the American mainstream and its leadership’s discovery of public relations efforts. After 1893, Mormon leaders sought to exhibit their faith rather than be exhibited by others.
Corp.Sub.
Church of Jesus Christ of Latter-day Saints -- Public relations -- History -- 19th century.
Church of Jesus Christ of Latter-day Saints -- Public opinion -- History -- 19th century.
Conf.Sub.
World’s Columbian Exposition (1893 : Chicago, Ill.)
Subject
Mormon Church -- Public relations -- History -- 19th century.
Mormon Church -- Public opinion -- History -- 19th century.
40748
 
 
Second edition, revised
Singapore : Partridge, 2017.
Abstract
This book is a description by the author of the proposed single-wire transmission system. The system can operate at any frequency, including DC. It can be applied to a three-phase transmission signal and to collect energy from the “green” sources. It describes in detail the problems associated with zeroing (grounding) signal and energy transfer on the underground and underwater lines. There is data on two experimental systems.
Subject
Electricity
Electric power transmission
40866
 
 

E78.8 KAR
Sherman Karp, Larry B. Stotts.
Fundamentals of electro-optic systems design :
Cambridge, Massachusetts : Cambridge University Press, 2013
Contents
Machine generated contents note: 1. Genesis of electro-optic systems; 2. Role of electromagnetic theory in electro-optics systems; 3. Photo-detection of electromagnetic radiation; 4. Metrics for evaluating photo-detected radiation; 5. Contrast, visibility and imaging; 6. Signal modulation schemes in optical communications; 7. Forward error correction coding; 8. Modern communications designs for FOC/FSOC applications; 9. Light detection and ranging (LIDAR); 10. Communications in the turbulent channel; 11. Communications in the optical scatter channel.
Abstract
Using fundamentals of communication theory, thermodynamics, information theory and propagation theory, this book explains the universal principles underlying a diverse range of electro-optical systems. From fiber optics and infra-red imaging to free space communications and laser remote sensing, the authors relate key concepts in science and device engineering to practical systems issues. A broad spectrum of coherent and incoherent imaging and communications systems is considered, accompanied by many real-world examples. The authors also present new insights into LIDAR and free space communications and imaging, providing practical guidance on identifying the fundamental limitations of transmission and imaging through deleterious channels. Accompanied by online examples of processed images and videos, this uniquely tailored guide to the fundamental principles underlying modern electro-optical systems is an essential reference for all practising engineers and academic researchers in optical engineering. Read more at http://www.cambridge.org/il/academic/subjects/engineering/electronic-optoelectronic-devices-and-nanotechnology/fundamentals-electro-optic-systems-design-communications-lidar-and-imaging#f1dw9o3MFuCWVOVw.99
Subject
Optical communications
Optical radar
Imaging systems
40931
 
 

629.113(73) BAK 
Bak, Richard
Hoboken, New Jersey : Wiley, 2003
Contents
Farmboy, tinkerer -- The horse is gone -- Rearview mirror : Ford the "automobileer" in 1900 -- Who can’t afford a Fordmobile? -- Hunka Tin -- The five-dollar day -- Rearview mirror : the Crystal Palace in 1914 -- War on several fronts -- Joy ride -- Farewell, Lizzie -- Chronicle of the neglected truth -- The little man in the basement -- Rearview mirror : the crown prince at work and at play -- Airships and time machines -- An invitation to organize -- Bullets and frescoes -- A matter of style -- The overpass -- Rearview mirror : battling "Fordism" in 1937 -- A new social order -- You know how father is -- Running on empty -- Rearview mirror : the last years of the Flivver King.
Abstract
The epic struggle between a father and son and the building of a worldwide business empire In this retelling of the story of the rise of Ford Motors, journalist Richard Bak offers a daring new perspective on the human drama that helped shape one of the world’s great business empires. No dry corporate history, Henry and Edsel focuses on the epic battle of wills between the unyielding Henry Ford, his gifted son Edsel, and his "second son," the brutal and insidious Harry Bennet who rose from barroom brawler to become Henry’s heir apparent. Bak dispels the common misperception of Edsel Ford as a weak and ineffectual manager, and explains that it was in fact Edsel’s level-headedness and imaginative business solutions and that allowed the company to survive the many challenges to its survival in the first half of the twentieth century. Timed to coincide with the 100th anniversary celebration of Ford Motor Company, Henry and Edsel is sure to be warmly received by history buffs and business readers. Richard Bak (Detroit, MI) is a veteran journalist who has written widely on the Fords and the automobile industry.
Per.Sub.
Ford, Henry 1863-1947.
Ford, Edsel 1893-1943.
Subject
Industrialists -- United States -- Biography.
Automobile industry and trade -- United States -- History
Ford Motor Company -- History.
40871
 
 

629.113(73) FOR 
Ford, Henry 1863-1947
 BN Publishing, 2008.
Contents
What is the idea? -- The beginning of business -- What I learned about business -- Starting the real business -- The secret of manufacturing and serving -- Getting into production -- Machines and men -- The terror of the machine -- Wages -- Why not always have good business? -- How cheaply can things be made? -- Money and goods -- Money-master or servant? -- Why be poor? -- The tractor and power farming -- Why charity? -- The railroads -- Things in general -- Democracy and industry -- What we may expect.
Abstract
This book is the original autobiographical work by Henry Ford, founder of the Ford Motor Company. In this book, Ford details how he got into business, the strategies that he used to become a wealthy and successful businessman, and what others can do by learning from the examples he has outlined. This book should be read by small business owners, business students and those interested in the history of the automobile. Henry Ford will take you through a journey of history, business and lessons to be learned from which he used to develop his financial empire.
Per.Sub.
Ford, Henry 1863-1947.
Corp.Sub.
Ford Motor Company -- History.
Subject
Automobile industry and trade -- United States -- History.
Industrialists -- United States -- Biography.
Automobiles -- History.
Businesspeople -- United States -- Biography.
40880
 
 

658.562 DES
De Silva, G. M. S.
London : Routledge, 2002
Contents
Front Cover; Basic Metrology for ISO 9000 Certification; Copyright Page; Contents; Foreword; Preface; Acknowledgements; Chapter 1. Requirements of ISO 9000 standards for test and measuring equipment; Chapter 2. Fundamental concepts of measurement; Chapter 3. Linear and angular measurements; Chapter 4. Mass measurements; Chapter 5. Pressure measurements; Chapter 6. Measurement of force; Chapter 7. Measurement of temperature; Chapter 8. Electrical measurement standards; Chapter 9. Uncertainty of measurements; Bibliography; Appendix 1; Appendix 2; Appendix 3; Index.
Abstract
Traceable calibration of test and measurement equipment is a requirement of the ISO 9000 series of standards. Basic Metrology for ISO 9000 Certification provides essential information for the growing number of firms registered for ISO 9000. Dr. G.M.S. de Silva who has a lifetime of experience in metrology and quality management fields condenses that knowledge in this valuable and practical workbook. The book provides a basic understanding of the principles of measurement and calibration of measuring instruments falling into the following fields; Length,Angle, Mass, Pressure, Force, Temperature and AC/DC Electrical quantities. Basic concepts and definitions, ISO 9001 requirements and uncertainty determinations are also included.
Subject
Quality control -- Standards.
Scientific apparatus and instruments -- Calibration.
ISO 9000 series standards.
Measurement
40869
 
 
 

681.3.07.01 דוד ‬
עופר דודזדה, אמיר סנדץ ‬ 
Big Data : כלים מעשיים לניתוח בסיסי נתונים
חולון : אוריון, תשע"ד 2014 ‬ 
Abstract
מהי הדרך הנכונה לפלח לקוחות לצורך שיווק ממוקד לקוח? כיצד נבנה מודל סיכון אשראי עבור בנקים, גופים פיננסיים וחברות ביטוח? אילו מדדים סטטיסטיים יעילים לקבלת החלטות ניהוליות? כיצד נייצר נורמות פעילות לאיתור הונאות או התנהלות חשודה? באילו מדדים עלינו להשתמש לתיקון מודל סטטיסטי? מהו סוג הדגימה המתאים עבור הסקר שאנו מעוניינים לבצע? באמצעות אילו כלים אנליטיים נבנה מודל נטישה שיסייע בשימור לקוחות? ‬
‫ מנתחי נתונים רבים רואים במגרש הסטטיסטי, רווי הנוסחאות והמתמטיקה, אזור מאיים ומרתיע, ולכן נמנעים משימוש בו. אלו שבכל זאת מנסים מגלים במהלך עבודתם השוטפת, כי הידע התיאורטי שרכשו אינו תמיד מסייע להם ברגע האמת - כשהם נתקלים בשאלה מעשית בנוגע לניתוח הנתונים שברשותם. החששות מובנים. בחירת מודל לא מתאים ו/או שימוש בכלים לא נכונים יובילו לתוצאות שגויות, ומנתח הנתונים אפילו לא יידע על כך. במקרים אחרים התוצאות דווקא יהיו נכונות, אד הפרשנות שתוענק להן עלולה להיות מוטעית שהרי לא כל מה שמובהק הוא בהכרח משמעותי. כיום, בעיון ה-Big Data - המאופיין בכמות עצומה של מידע, המגיע ממקורות רבים ומגוונים. באיכויות שונות ובמבני נתונים שונים - ההתמודדויות הנ"ל רק הופכות למורכבות ומסובכות יותר. מציאות זו היא שהולידה את הצורך במדריך מעשי-שימושי עבור מנתחי נתונים, שיהווה עבורם ארגז כלים מקצועי לפתרון הבעיות האנליטיות הניצבות בפניהם. -- כריכה אחורית ‬
Subject
Database management
Statistics
Big data -- Statistical methods
Data mining -- Statistical methods.
40943
 
 
 
Athens, Georgia : University of Georgia Press, 2016
Contents
The Artist’s hand / Paul Barolsky -- The Craftsman’s genius: painters, patrons, and drawings in trecento Siena / Hayden B.J. Maginnis -- Sources and resources: the lost sketchbooks of Giovanni di Paolo / Andrew Ladis -- Titian and the idea of originality in the Renaissance / Bruce Cole -- Instruction and originality in Michelangelo’s drawings / W.E. Wallace -- The Earliest collaborations of Pontormo and Bronzino: the Certosa, the Capponi chapel, and the Dead Christ with the virgin and Magdalen / Elizabeth Pilliod -- Drawings as means to an end: preparatory methods in the Carracci school / Diane de Grazia -- De Rossi and Falda: a successful collaboration in the print industry of seventeenth-century Rome / Francesca Consagra -- Volterrano and the role of Imitatio in the seventeenth-century practice of art in Florence / Malcolm Campbell
Abstract
In this collection of nine essays some of the preeminent art historians in the United States consider the relationship between art and craft, between the creative idea and its realization, in Renaissance and Baroque Italy. The essays, all previously unpublished, are devoted to the pictorial arts and are accompanied by nearly 150 illustrations. Examining works by such artists as Michelangelo, Titian, Volterrano, Giovanni di Paolo, and Annibale Carracci (along with aspects of the artists’ creative processes, work habits, and aesthetic convictions), the essayists explore the ways in which art was conceived and produced at a time when collaboration with pupils, assistants, or independent masters was an accepted part of the artistic process.
The consensus of the contributors amounts to a revision, or at least a qualification, of Bernard Berenson’s interpretation of the emergent Renaissance ideal of individual "genius" as a measure of original artistic achievement: we must accord greater influence to the collaborative, appropriative conventions and practices of the craft workshop, which persisted into and beyond the Renaissance from its origins in the Middle Ages. Consequently, we must acknowledge the sometimes rather ordinary beginnings of some of the world’s great works of art--an admission, say the contributors, that will open new avenues of study and enhance our understanding of the complex connections between invention and execution. With one exception, these essays were delivered as lectures in conjunction with the exhibition The Artists and Artisans of Florence: Works from the Horne Museum hosted by the Georgia Museum of Art in the fall of 1992.
Subject
Art, Italian -- Congresses
Art, Renaissance -- Italy -- Congresses.
Art, Baroque -- Italy -- Congresses
Creation (Literary, artistic, etc.)
Group work in art -- Italy -- Congresses.
40925
 
 
 

7.035.95 CRO 
Crouse, William W.
London : Thames and Hudson, 2013.
Contents
Introduction • Aviation • Cars and Cycles • Consumer Products • Fashion and Entertainment • Food, Beverage and Tobacco • Leisure • Motor Racing • Ocean Liners • Railroads • Travel and Tourism
Abstract
Posters by their very nature are ephemeral: crookedly plastered on a roadside billboard, tacked to the back of a tabac, they lasted a few weeks until advertisers issued another imaginative argument for soap or an ocean voyage. While few contemporary observers understood the richness of their design or appreciated the ingenuity of their unsung creators, they are now highly prized. William Crouse, long-time poster aficionado, has selected over 300 of the most sought-after examples of poster art created between the wars to include in this definitive volume. Organized thematically into subject categories (aviation, communication, fashion and more), this book includes over 300 highly rare and even unique examples by masters of the art form, including Nizzoli, Cassandre and Beall. Each poster – digitally photographed under carefully controlled conditions – is accompanied by an expanded caption that addresses the aesthetic, sociological, economic and/or political context of the image. Introduced by Art Deco specialist Alastair Duncan, Art Deco Posters is an essential addition for all interested in graphic design, Art Deco, and life and culture between 1919 and 1939.
Subject
Art deco
Posters -- Design.
Commercial art
Posters
Travel posters.
40774
 
 
 
Zurich : Scheidegger and Spiess, 2016.
Abstract
At its height, the Dada movement not only upended European art, it also brought that tradition into unprecedented dialogue with non-European forms of expression. This book offers the first extended analysis of Dada’s exploration of non-Western art and culture. Richly illustrated essays present close analyses of artifacts from Africa, Asia, and Oceania in the context of Dada and through an ethnological lens. Contributors also investigate the ways in which the influence of Dada can be seen in postcolonial discourse and in the context of cultural transfer. Featuring works by Jean Arp, Hugo Ball, George Grosz, , Raoul Hausmann, Hannah Höch, Man Ray, Sophie Taeuber-Arp, Tristan Tzara, and many other artists, this is a major work that will enable a broad rethinking of Dada’s aims and achievements.
Apart from the notorious brouhaha it caused on the European art scene of the time, the Dada movement aimed also at bringing to life non-European forms of artistic expression. The Dadaists understood shape, material, sound, and movement as equally valid means of cultural manifestation. This aspect of one of the 20th century’s most influential artistic movements has been largely ignored so far by scholars and connoisseurs alike. Zürich’s Museum Rietberg is home to a vast collection of African art gathered by Han Coray, a Zürich-based patron of the arts and collector who also staged Dada shows in his gallery in Zürich in 1917. Works by Dada artists also constitute a key part of Berlinische Galerie’s permanent collection. Published in conjunction with exhibitions at the two museums in spring and summer 2016, this new book for the first time closely examines the Dadaists’ exploration of non-European art and culture. Richly illustrated essays shed light on the cultural background of artifacts from Africa, Asia, and Oceania from an ethnological perspective. Other contributions investigate how Dada is reflected in the post-colonial discourse and understood in the context of culture transfer. The book features work by Jean Arp, Hugo Ball, Johannes Baader, George Grosz, Raoul Hausmann, Erich Heckel, John Heartfield, Hannah Höch, Richard Huelsenbeck, Marcel Janco, Ernst Ludwig Kirchner, Rudolf Schlichter, Man Ray, Hans Richter, Sophie Taeuber-Arp, Tristan Tzara, as well as by unidentified artists from Africa, Oceania, and Asia.00Exhibition: Museum Rietberg, Zürich, Switzerland (18.03.-17.07.2016) / Berlinische Galerie, Berlin, Germany (05.08.-07.11.2016).
Subject
Dadaism -- Exhibitions.
Art, African -- Exhibitions.
Dadaism -- Switzerland -- Zurich -- Exhibitions.
Dadaism -- African influences -- Exhibitions.
Dadaism -- Foreign influences -- Exhibitions.
Dadaism -- Indian influences -- Exhibitions.
Sculpture, European -- Foreign influences -- 20th century -- Exhibitions.
Sculpture, African -- Influence.
Art, European -- Foreign influences -- 20th century -- Exhibitions.
Art, Modern -- 20th century -- African influences -- Exhibitions.
Art, African -- Appreciation -- Europe -- Exhibitions.
Art, African -- Collectors and collecting -- Europe -- Exhibitions.
Primitivism in art -- Exhibitions.
40922
 
 
 

7.036 MOH (TSA) 
Tsai, Joyce
Santa Barbara, California : Santa Barbara Museum of Art, 2015
Contents
Director’s foreword / Larry J. Feinberg -- Introduction / Eik Kahng -- The shape of things to come / Joyce Tsai -- Plates -- The human factor: applied abstraction and habitable space /James Merle Thomas -- An introduction to Moholy’s plastic materials / Friedereke Waentig and Joyce Tsai ; translated by Timothy Grundy
Abstract
László Moholy-Nagy (1895–1946) became notorious for the declarations he made about the end of painting, encouraging artists to exchange brush, pigment, and canvas for camera, film, and searchlight. Even as he made these radical claims, he painted throughout his career. The practice of painting enabled Moholy-Nagy to imagine generative relationships between art and technology, and to describe the shape that future possibilities might take. Joyce Tsai illuminates the evolution of painting’s role for Moholy-Nagy through key periods in his career: at the German Bauhaus in the 1920s, in the Netherlands and the United Kingdom in the early 1930s, and as director of the New Bauhaus in Chicago in the last decade of his life. The book also includes an introduction to the history, qualities, and significance of plastic materials that Moholy-Nagy used over the course of his career, and an essay on how his project of shaping habitable space in his art and writing resonated with artists and industrial designers in the 1960s and 1970s.
Per.Sub.
Moholy-Nagy, Laszlo, 1895-1946 -- Exhibitions
‫ מוהולי-נג’י, לזלו, 1895-1946 ‬
Subject
Art -- 20th century.
40854
 
 
New York : Vendome Press, 2011.
Contents
Vienna around 1900: the duration of denial -- Art and design : Jugendstil and symbolism -- The secession -- Ver sacrum -- Graphic art and book design -- Gustav Klimt -- The Klimt group -- Richard Gerstl -- Oskar Kokoschka -- Egon Schiele -- The Wiener Werkstätte -- Furniture -- Fashion and society : the artist-designed dress -- Photography -- Architecture: Otto Wagner -- The Wagner school -- Joseph Maria Olbrich -- Josef Hoffmann -- Adolf Loos -- Civilization and society: Theater and cabaret -- A "romanticism of the nerves" : the literary fin de siècle -- The coffeehouse : a hub of literary activity -- Music -- Philosophy and science -- The secret of dreams : on the development of psychoanalysis.
Abstract
At the turn of the 20th century, Vienna was one of the most exciting cities on earth—the central gathering spot of the European avant-garde in art, architecture, literature, music, journalism, philosophy, psychiatry, and theater. The dynamic cross-pollination among the revolutionary figures involved—Klimt, Kokoschka, the Wiener Werkstätte, Mahler, Freud, Wittgenstein, and many more—turned the Austrian capital into an extraordinary laboratory for new ideas and concepts. It is where modern was born. With more than 500 illustrations, Vienna 1900 is a unique, concise portrait of a vibrant world and its most important protagonists.
Subject
Arts, Austrian -- Austria -- Vienna -- 19th century
Arts, Austrian -- Austria -- Vienna -- 20th century.
Vienna (Austria) -- Civilization -- 19th century.
Vienna (Austria) -- Civilization -- 20th century.
40857
 

 7.036"193" LUC
Steven Luckert and Susan Bachrach
State of deception : the power of Nazi propaganda
Washington, D.C. : United States Holocaust Memorial Museum ; 2009
Contents
 Introduction -- Propaganda for votes and power 1919-1933 -- Power and persuasion in the racial state 1933-1939 -- Propaganda for war and mass murder 1939-1945 -- Propaganda on trial 1945-present -- Afterword
Abstract
A history of Nazi propaganda based on never-before-published posters, rare photographs, and historical artifacts from the USHMM’s groundbreaking exhibition. “Propaganda,” Adolf Hitler wrote in 1924, “is a truly terrible weapon in the hands of an expert.” State of Deception: The Power of Nazi Propaganda documents how, in the 1920s and 1930s, the Nazi Party used posters, newspapers, rallies, and the new technologies of radio and film to sway millions with its vision for a new Germany―reinforced by fear-mongering images of state “enemies.” These images promoted indifference toward the suffering of neighbors, disguised the regime’s genocidal actions, and insidiously incited ordinary people to carry out or tolerate mass violence.The United States Holocaust Memorial Museum is addressing this topic today because, in an age of instant electronic communication, disseminators of messages and images of intolerance and hate have new tools, while at the same time consumers seem less able to cope with the vast amounts of unmediated information bombarding them daily. It is hoped that a deeper understanding of the complexities of the past may help us respond more effectively to today’s propaganda campaigns and biased messages.230 illustrations
Subject
World War, 1914-1918 -- Propaganda.
World War, 1939-1945 -- Propaganda -- Exhibitions.
Propaganda, German -- Exhibitions
Nazi propaganda -- Germany -- Exhibition
National socialism and art -- Exhibitions
National socialism and motion pictures
40850
 
 
 
New Haven : Yale University Press, 2006
Contents
From the Bauhaus : plates -- Two Bauhaus histories / Achim Borchardt-Hume -- Mechano-facture : Dada/constructivism and the Bauhaus / Michael White -- László Moholy-Nagy : the transitional years / Terence A. Senter -- The Bauhaus idea in America / Hal Foster -- "I want the eyes to open" : Josef Albers in the new world / Nicholas Fox Weber -- László Moholy-Nagy : transnational / Hattula Moholy-Nagy -- To the new world : plates -- Artists’ writings : Josef Albers, László Moholy-Nagy.
Abstract
This beautifully illustrated book highlights the contrasts and correspondences in the lives and work of two of Modernism’s greatest innovators, Josef Albers (1888–1976) and László Moholy-Nagy (1895–1947). Beginning in the 1930s, Albers and Moholy-Nagy each developed a rigorously abstract language that condensed art to its visual fundamentals: line, color, texture, light, and form. This language experienced a creative explosion during their Bauhaus years, when both artists moved freely between media and disciplines. Essays by leading scholars follow the artists’ separate paths through to their emigration to the United States, where each continued to push tirelessly the conventions of artistic practice—Albers at Black Mountain College in North Carolina and then at Yale University, and Moholy-Nagy in Chicago at the New Bauhaus School and the Institute of Design. As highly influential teachers, Albers and Moholy-Nagy became important catalysts for the transmission of Modernist ideas from Europe to America. Spanning four decades and featuring works in a variety of media, including painting, collage, glass, moving sculpture, photography, film, furniture, and graphic design, Albers and Moholy-Nagy reveals for the first time the range of achievement of these two important figures and is essential to our understanding of the evolution of Modernism.
Per.Sub.
Albers, Josef, 1888-1976 -- Exhibitions.
Moholy-Nagy, Laszlo, 1895-1946 -- Exhibitions
Subject
Modernism (Art) -- Exhibitions.
Bauhaus -- Exhibitions
40853
 
 
 

7.036.9 HAT 
Hathaway, Norman
Bologna : Damiani, 2011 
Contents
Frontwords: Paul McCartney interviewed by Norman Hathaway -- Introduction -- Heinz Edelmann -- Martin Sharp -- Dudley Edwards -- Marijke Koger -- Keiichi Tanaami -- Mati Klarwein -- Tadanori Yokoo -- Afters.
Abstract
"Electrical Banana is the first definitive examination of the international language of psychedelia, focusing on the most important practitioners in their respective fields. With a deft combination of hundreds of unseen images and exclusive interviews and essays, Electrical Banana aims to revise the common persception of psychedelic art, showing it to be more innovative, compelling, and revolutionary than was ever thought before."--Page 4 of cover.
From advertising and fashion to music and film, the psychedelic aesthetic defined the look of the 1960s. And yet neither the true scope of psychedelic art nor its key practitioners have ever been the subject of a thorough overview. Electrical Banana is the first definitive examination of the international language of psychedelia, focusing on the most important practitioners in their respective fields. Compiling hundreds of unseen images plus exclusive interviews and essays, it revises and expands the common perception of psychedelic art, revealing it to be more innovative, compelling and revolutionary than is usually acknowledged. Electrical Banana documents the great virtuosos of psychedelic art: men and women whose work combines avant-garde design with highly sophisticated image-making. Launching a million Day-glo dreams, the artists include: Marijke Koger, the Dutch artist responsible for dressing the Beatles; Mati Klarwein, who painted the cover for Miles Davis’ Bitches Brew; Keiichi Tanaami, the Japanese master of psychedelic posters; Heinz Edelmann, the German illustrator and designer of the Beatles’ animated film Yellow Submarine; Tadanori Yokoo, whose prints, books and fabrics defined the 1960s in Japan; Dudley Edwards, a painter, car decorator and graphic artist on the London rock scene; and the enigmatic Australian Martin Sharp, whose work for Cream and underground magazines made him a hippie household name in Europe. Electrical Banana features a lengthy historical essay and interviews with all of the artists.
Subject
Psychedelic art.
Psychedelic art -- Catalogs.
40839
 
 

7.037 SLO
Sloterdijk, Peter 1947
Cambridge, UK ; Malden, MA : Polity Press,, 2017
Contents
World of sound -- In the light -- Design -- City and architecture -- Conditio humana -- Museum -- Art system.
Abstract
In this wide-ranging book, renowned philosopher and cultural theorist Peter Sloterdijk examines art in all its rich and varied forms: from music to architecture, light to movement, and design to typography. Moving between the visible and the invisible, the audible and the inaudible, his analyses span the centuries, from ancient civilizations to contemporary Hollywood. With great verve and insight he considers the key issues that have faced thinkers from Aristotle to Adorno, looking at art in its relation to ethics, epistemology, metaphysics, society, politics, anthropology and the subject. Sloterdijk explores a great variety of topics, including the Greek-Roman invention of postcards, medieval barter with purgatory and relics, the capitalist art market, the black boxes and white cubes of modernism, the rise of world?s fairs in the 19th century, the growth of museum and memorial culture, images of the city and the role of creativity. In doing so, Sloterdijk extends his characteristic method of defamiliarisation to transform the way we look at works of art and movements. His bold and original approach leads us away from the well-trodden paths of conventional art history to develop a theory of aesthetics which rejects strict categorisation, emphasising instead the crucial importance of individual subjectivity as a counter to the latent dangers of collective culture. This sustained collection of reflections, at once playful, serious and provocative, goes to the very heart of Sloterdijk?s enduring philosophical preoccupation with the aesthetic. It will be essential reading for students and scholars of philosophy and aesthetics and will appeal to anyone interested in culture and the arts more generally.
Subject
Arts, Modern -- 21st century
Art -- Philosophy.
40616
 
 
חולון : מוזיאון העיצוב, 2011 ‬ 
Abstract
 התערוכה כוללת כ-70 עבודות, שדרכן בוחנים מעצבים עכשוויים את הקשר בין מסורת לחדשנות. הגישות השונות לנושא זה סבות כולן סביב נושאים דומים: חומריות, תהליכי הרכבה ותצורה, ייצור ושימושים מסורתיים. היוצרים המשתתפים בתערוכה כוללים 57 מעצבים וצוותי עיצוב מגרמניה, ארצות אירופאיות נוספות, ישראל וארה"ב, המקיימים ביניהם דיאלוג אינטנסיבי. ביטוי נוסף לאופיה הבינלאומי של התערוכה הוא הצגתה כתערוכה נודדת ברחבי העולם, תוך שימת דגש על הקשר לתרבויות מקומיות במדינות השונות בהן היא מוצגת ‬
‫ תערוכה זו בוחנת את הקשר בין "חדש" ל"ישן" כפי שהוא בא לידי ביטוי בעבודות המתבססות על פיתוח של מודלים היסטוריים וצורניים קיימים והמציעות פרשנות חדשה לצורות מסורתיות. התערוכה כוללת מגוון רב של מוצגים, תוך ניתוח קווי השוני והדמיון שביניהם. כמו כן, התערוכה מציגה מגמות עכשוויות במיחזור ועיצוב מחדש (redesign) ובוחנת את תהליך העיצוב מחדש של מודלים קלאסיים ואת האופן שבו נעשה שימוש מסורתי בחומרים חדשים. ‬
Subject
Design -- 21st century.
Industrial design -- 21st century.
Chairs -- 21st century.
Recycling of waste, etc.
Design -- Israel -- Exhibitions.
Design -- Germany -- Exhibitions.
40976
 
 
קטלוג תערוכה בשיתוף עם מוזיאון אלסי. ‬
Subject
Industrial design -- Exhibitions
Industrial design -- 21st century -- Exhibitions.
40971
 
 

7.05 EDE
Edelkoort, Lidewij
Holon : Design Museum Holon, 2011 
‫ בתערוכה בחולון מוצגים 120 - עבודות של יותר מ 60 - מעצבים עכשוויים, מהארץ והעולם, שימחישו איך העיצוב של העתיד מושפע מאסתטיקה פרה-היסטורית, מחומרים אורגניים ותהליכים פואטיים שמקורם בעבר. התערוכה הורחבה ועודכנה ע"י אדלקורט, ולצד עבודותיהם של מעצבים בינלאומיים, גם למעלה מעשר עבודות של מעצבים ישראלים ‬
Per.Sub.
Edelkoort, Lidewij.
‫ אדלקורט, לי ‬
Subject
Design -- 21st century.
Industrial design -- 21st century.
Nature in art -- 21st century (2000-)
Earth in art
Ecology
Sustainable design
Designers -- 21st century.
Designers, Israeli -- 21st century
Artists -- Israel -- 20th century.
Art museums -- Israel.
Sculpture
40973
 
 

7.05-051(45) URQ 
Urquiola, Patricia
New York : Rizzoli, 2013
Contents
Instruction manual for understanding how Patricia Urquiola operates / Murray Moss -- Sections. Prologue: Time to make a book -- Circle line -- Craft time -- Playground -- Synthesis -- Break time -- Analogy -- Touch skill -- Genealogy -- Time and again / Gianluigi Ricuperati -- Conversation between Patricia Urquiola and Gianluigi Ricuperati.
Abstract
The first monograph on the works of Patricia Urquiola, whose eclectic approach to product design and architecture has established her as one of the key figures in contemporary design. A superstar in the world of design, Patricia Urquiola’s portfolio of architectural projects and product designs is as diverse as it is intensely personal—from a house for Patrizia Moroso, to the interiors of boutique hotels, to industrial design, and with products that include chairs, watches, and cutlery. Since the opening of her own design practice in Milan in 2001, Urquiola has taken on an ever-expanding number of projects, and has worked with all the great international design houses, including Moroso, De Padova, B&B Italia, Bisazza, Alessi, Driade, and Flos, to name a few. Urquiola’s distinctive works straddle the boundary between architecture and design, the product of a rigorous, interdisciplinary education. Her products and spaces have won her acclaim for combining a bold, passionate imagination with an innate practicality. Drawing inspiration from historical precedent, her designs are often characterized by their clear lines and formal simplicity, and their irrepressible sensuality. This inspiring book captures the fervid energy of Urquiola’s life and work, in an unprecedented and striking design object as innovative and intimate as her body of work.
Per.Sub.
Urquiola, Patricia 1961-
Subject
Design -- Italy -- 20th century -- Pictorial works.
Design -- Italy -- History -- 21st century -- Pictorial works.
Designers -- Italy -- 20th century.
Designers -- Italy -- 21st century.
40913
 
 
 

7.05-051(492) BAA 
Baas, Maarten
[Eindhoven] : Lecturis, 2017
Per.Sub.
Baas, Maarten 1978- -- Exhibitions.
Subject
Design -- Netherlands -- Exhibitions.
Designers -- Netherlands.
40911
 
 
 
Nashville, Tennessee : Beckon Books, 2013.
Abstract
This unparalleled collection of never before published images is the first major book published on The Henry Ford Automotive Collection, the worlds premier automotive collection. It features 100 historically significant vehicles with detailed information and specifications, a complete list of the automotive collection and accounts from Jay
Leno, Edsel B. Ford II and The Henry Ford’s leaders and curators.
Subject
Automobiles -- Museums -- Michigan -- Dearborn.
40855
 
 
 
חולון : מוזיאון העיצוב חולון, 2016 ‬
Abstract
"הקטלוג הייחודי יצא לאור עם פתיחת התערוכה וכולל שישה מאמרים על פי שש הקטגוריות, ראיון של אוקי סאטו עם מריה כריסטינה דידרו (אוצרת התערוכה) וכן את כל האובייקטים המוצגים. בין הכותבים בספר: גלית גאון, ד"ר אורי ברטל, מרקו סמיקלי, גלן אדמסון, אריק צ’ן וליבי סלרס. הקטלוג כולל מארז מהודר ובו שני ספרים - האחד מכיל טקסטים והשני תמונות.-- מן האתר של המוזיאון. ‬
Subject
Design -- Japan -- 21st century.
Interior decoration -- Japan -- History -- 21st century.
40977
 
 

7.052 GAR 
Williams, Gareth
London : Goodman-Fiell, 2015.
Contents
What is design? -- What is a design brief? -- What is the design process? -- Form & function -- Styling -- Universality versus individualism -- Materials & technologies -- Human-centred design & ergonomics -- Digital design -- The impact of design -- Design evolution case studies -- Design & innovation -- The future of design -- Why design matters.
Abstract
•Official Design Museum publication •An essential teaching tool packed full of key information •Beautifully illustrated and accessibly written •Perfectly pitched for the academic/student market as well as for general readership •In the UK creative art and design student numbers have grown by nearly a quarter since 2004, with around 175,000 studying each year throughout the country •Global appreciation of design is growing at an unprecedented rate with increasing numbers of international students from China, South Korea and Taiwan studying design in the USA and Britain •The Design Museum is an established and much trusted brand within design education and promotion Design Museum: Design, an Essential Introduction is a highly illuminating primer that explores and explains the different aspects of design and the design process - from a design brief to the complete life-cycle of products. It introduces in clear and concise language the different materials and production methods available to contemporary designers, which allow them to transform their design ideas into better products. This useful handbook also covers other design-relevant topics such as ergonomics, Computer-Aided Design/Computer-Aided Manufacture and rapid prototyping and additionally features a number of fascinating design case studies. Subject
Product design
Industrial design
40876
 
 

7.074(42) TRE
Trench, Lucy
London : V & A Publishing, 2010
Contents
A people’s palace / Mark Jones -- The V & A today -- The great exhibition -- The rare, the old and the beautiful -- William Morris -- Islamic pattern and design reform -- Marie Antoinette and the military tailor -- The salting bequest -- Pedigree and provenance -- Saved! -- Family favourites -- Being British -- Two queens : Elizabeth and Mary -- Celebrity -- Court ritual -- Faith incarnate -- Magic powers -- Cradle to grave -- thinking on paper -- Thinking in 3-D -- Art and craft -- A world of design -- Sitting on air -- Radical Britain -- Refugee status -- Chinese whispers -- 1,637 teapots -- Out of the sands of time -- Story and status.
Abstract
The Victoria and Albert Museum, London, was founded in 1837, and since that time it has grown to be one of the world’s greatest museums. This lasting celebration of this unique and much-loved institu­tion reveals the often surprising range of its collections, and is a fascinating introduction to its treasures. The V&A’s riches include ancient textiles, modern chairs, sculpture by Michelangelo, paintings by Constable and Raphael, photographs by Cartier-Bresson, fabulous Indian jewelry and miniatures, 10" platform heels by Vivienne Westwood, wallpaper designs by William Morris, Leonardo’s Codex Forster I, and more than 34,000 ceram­ics. The chronological and cultural ranges of the V&A’s collections and displays offer many different perspectives. The objects can be seen as examples of craftsmanship and design, as witnesses to history and culture, or simply as superb works of art—things of beauty in and of themselves
Corp.Sub. Victoria and Albert Museum -- Catalogs.
Victoria and Albert Museum -- History.
Subject
Museums -- Historiography.
Museums -- Great Britain.
Art museums -- Great Britain.
40873
 
 

712.25(485) NOR 
Noren-Bjorn, Eva
West Point, N.Y. : Leisure Press, 1982.
Subject
Playgrounds -- Sweden -- Case studies.
Playgrounds -- Sweden -- Equipment and supplies -- Case studies.
Play -- Case studies.
Playgrounds -- Psychological aspects -- Case studies.
Child psychology -- Case studies.
40903
 
 

72 MAY
May, John
New York : Rizzoli, 2010
Contents
Foreword / Anthony Reid -- Gallery of building media -- Introduction / John May -- From Dutch windmills to German barns -- From Mediterranean caves to Bedouin tents -- From Japanese Minka to Toda huts -- From Zulu indlu to the "Venice of Africa" -- From the plains tipi to frontier log cabins -- From chattel houses to Urus Reed houses -- From Balinese kuren to Maori meetinghouses -- Modern vernacular architecture.
Abstract
A wonderfully informative reference on vernacular styles, from adobe pueblos and Pennsylvania barns to Mongolian yurts and Indonesian stilt houses. This small but comprehensive book documents the rich cultural past of vernacular building styles, from Irish sod houses to sub-Saharan wattle-and-daub huts and redwoods treehouses. It offers inspiration for home woodworking enthusiasts as well as architects, conservationists, and anyone interested in energy-efficient building and sustainability. The variety and ingenuity of the world’s vernacular building traditions are richly illustrated, and the materials and techniques are explored. With examples from every continent, the book documents the diverse methods people have used to create shelter from locally available natural materials, and shows the impressively handmade finished products through diagrams, cross-sections, and photographs. Unlike modern buildings that rely on industrially produced materials and specialized tools and techniques, the everyday architecture featured here represents a rapidly disappearing genre of handcrafted and beautifully composed structures that are irretrievably "of their place." These structures are the work of unsung and often anonymous builders that combine artistic beauty, practical form, and necessity.
Subject
Architecture
Architecture -- History.
Vernacular architecture
40933
 
 

 72.01 PAW (MOR)
Morris, Alison
London ; New York : Phaidon Press, 2010
Contents
Essays. Process : searching for the beginning ; Architectural photography : the familiar image ; Client and architect : design dialogues ; Atmosphere : the value of place -- Objects in landscape. Baron House ; Sackler Crossing ; Martyrs Pavilion ; Tetsuka House -- Sacred space. Monastery of Nový Dvůr ; Monastery of Sept-Fons ; St Moritz Church -- New York residences. 50 Gramercy Park North ; Schrager Penthouse ; Designing the home -- Belgian Apartments. Old Town Apartment ; North Sea Apartment -- Unbuilt projects. Moutfort House ; Beverly Hills House -- Sloop & Ketch. B60 ; Baracuda -- Spatial interventions. Leçons du Thoronet ; Chroma ; Calvin Klein 40th anniversary, hight line ; Stone House -- Houses in Italy. Montemaggio Houses ; Casa delle Bottere.
Abstract
John Pawson (b.1949) is an architect and designer whose exceptional work combines an essential simplicity with a keen attention to the details of everyday life and human experience. In the last decade, the scope of his designs has broadened from objects and interiors to include houses, monasteries, pavilions and boats. This change in scale has given his office the opportunity to refine its minimalist aesthetic and further develop its ideas of a fundamental architecture based on the qualities of space, proportion, light and materials. In Plain Space, author Alison Morris presents both this recent body of work and earlier projects from the perspective of someone who has had unique access to the work and archives of the office. In thematic essays and narrative project descriptions she examines the firm’s working processes, relationship with clients, and approach to design. Filled with exquisite photographs and detailed drawings, Plain Space will be the next must-have book for fans of John Pawson and a perfect introduction to his work for anyone interested in the absolute best of contemporary design.
Per.Sub.
Pawson, John 1949- -- Criticism and interpretation
Subject
Architectural criticism
40907
 
 
London : John Wiley & Sons, 2015 
Abstract
Material Synthesis: Fusing the Physical and the Computational Guest-edited by Achim Menges A new understanding of the material in architecture is fast emerging. Designers are no longer conceiving of the digital realm as separate from the physical world. Instead computation is being regarded as the key interface for material exploration and vice versa. This represents a significant perceptual shift in which the materiality of architecture is no longer seen to be a fixed property and passive receptor of form, but is transformed into an active generator of design and an adaptive agent of architectural performance. In stark contrast to previous linear and mechanistic modes of fabrication and construction, materialisation is now beginning to coexist with design as explorative robotic processes. This represents a radical departure from both the trite modernist emphasis on ’truth to materials’ and the dismissal of materials by the previous generation of digital architects. The issue features designers, researchers and thinkers that are at the forefront of exploring new modes of material enquiry and its deep interrelationship with technology, biology and culture. Through their work, which unfolds from multifaceted alliances between the fields of design, engineering and natural sciences, it seeks to trace the emergence of a novel material culture in architecture. •Architectural and engineering contributors include: Sean Ahlquist, Martin Bechthold, Philippe Block, Karola Dierichs, Jan Knippers, Achim Menges, Neri Oxman, Steffen Reichert and Tobias Schwinn. •Scientific and philosophical perspectives provided by: Mario Carpo, Manuel De Landa, Neil Gershenfeld and Thomas Speck. •Features the design research of: Harvard’s Material Processes and Systems Group, MIT’s Mediated Matter Group and Stuttgart University’s Institute for Computational Design.
Subject
Architectural design -- Data processing.
Materials -- Computer-aided design.
Building materials
40908
 
 

72.036 BRE (COB)
Cobbers, Arnt
Koln : Taschen 2017
Abstract
The brave new forms of Marcel Breuer In 1956, TIME magazine called him one of the defining “form-givers of the 20th century.” Today, Marcel Breuer (1902–1981) remains a locus classicus of modernism for architects and designers alike. As a Bauhaus pioneer, even his earliest work was marked by a material restraint; the balance of texture, color, and shape; and a symbiosis of local and global, big and small, rough and smooth. In this essential introductory monograph, we survey Breuer’s complete career through some of his most influential projects and ideas, from his landmark tubular furniture to the MoMA Research House to his innovation of “binuclear” housing, splitting living and sleeping areas into separate wings. Along the way, we follow Hungarian-born Breuer’s journey to international acclaim, with featured projects from Germany, France, England, Switzerland, and across the United States contributing to his global status as a modernist maestro.
Per.Sub.
Breuer, Marcel 1902-1981.
Breuer, Marcel 1902-1981 -- Criticism and interpretation.
Subject
Modern movement (Architecture)
Architect-designed furniture.
39526
 
 
New York : Lark Books, 2003
Abstract
Five hundred inspiring variations on the simple, functional bowl will fire any potter’s imagination. Displayed on each page are bowls that reinvent and reinterpret the form, and use techniques from across the globe and through the centuries. More importantly, every piece, such as Kate Maury’s wheel-thrown porcelain, Stephen F. Fabrico’s slab-built bowl with handles, and Ruchika Madan’s stoneware Fruit Bowl, testifies to the artist’s boundless inventiveness. Captions give each bowl’s size, with details on its material and glazes.
Subject
Ceramic bowls
Pottery -- 20th century.
40877
 
 
אור-יהודה : זמורה-ביתן, תשע"ה 2015 ‬ 
Abstract
"במשך שלושה עשורים ברא דודו גבע, בעל היד הווירטואוזית והלשון החדה כתער, דמויות שהיו לאיקונות תרבותיות. יוסף הפקיד, אהלן וסהלן, וכמובן, הברווז – כולם שירטטו את חיינו בקווים מהירים, חושפניים, מדויקים ומצחיקים מאוד-מאוד. בפשטות מתעתעת הוא השכיל להבליט את המגוחך שבבנאלי, ואת הנשגב שבמגוחך. גבע הסוער ומשולח הרסן היה לא רק קריקטוריסט ואמן קומיקס שפעל כמעט לבדו בעיתונות הישראלית, אלא גם אביהם הרוחני ומורה דרך לדורות של יוצרים שבאו בעקבותיו ושניזונו מחזונו האמנותי הייחודי והפרוע. במלאות עשור לפטירתו, קיבץ האוצר צחי פרבר עשרות אמנים ישראלים בתערוכת מחווה ליוצר דגול והצדעה לדמויותיו הבלתי נשכחות. הספר עדיין אופטימיים – אמנים מציירים דודו גבע, מקבץ כ-70 עבודות מתוך תערוכה זו, לצד מסות וראיונות המבקשים לשפוך אור על דמותו של גבע ולהציע קריאה חדשה ביצירותיו. צחי פרבר הוא מאייר, קריקטוריסט, אמן קומיקס ומרצה במכון טכנולוגי חולון, בבצלאל ובמוסדות אקדמיים נוספים. בשנת 2008 אצר את תערוכתו הראשונה במוזיאון הישראלי לקריקטורה ולקומיקס. ספר זה רואה אור ביוזמתה של הפקולטה לעיצוב במכון הטכנולוגי חולון ובתמיכתה" ‬
Subject
Geva, Dudu, 1950-2005
Israeli wit and humor
Comic books, strips, etc.
40949
 
 
 

741.5(569.5) קומ ‬ 
X+Y קומיקס ישראלי, 2010-1995
חולון : המוזיאון הישראלי לקריקטורה ולקומיקס, 2010 ‬
Contents
X+Y / גלית גאון -- קומיקסאים על המדף / דניאל גולדשטיין -- חרובים בתחילת האלף השלישי / קובי אוז -- "ללא כותרת" / יערה בר-און -- דרוש גיבור / אבנר ברנהיימר -- גיבורי הבד והבדיה: ’גוף של סריג’ בקומיקס הישראלי העכשווי / יעל טרגן -- הבניית הזהות המגדרית של חיילות בקומיקס הישראלי / ניצה לבבי -- מקומיקס - שנות התשעים העצובות / צור שיזף ‬
Subject
Comic books, strips, etc. -- Israel -- Exhibitions.
Comic books, strips, etc., in art
Israeli wit and humor, Pictorial -- Exhibitions.
40933
 
 

741.5(569.4) קיש ‬ 
‫ קישקה, מישל
[תל-אביב] : חרגול ; בן-שמן : מודן, 2013 ‬
Abstract
מישל קישקה, אזר עוז לאחר שנים רבות והחליט להתמודד עם העבר, של אביו של כל בני המשפחה. באופן טבעי בחר לעשות זאת באיורים. ברומן הגרפי קישקה פורם את מסכת ההשתקות, מנסה להבין מה עמד מאחריהן, חושף בגילוי לב ובהומור את הכאב המשפחתי הבין דורי ומצליח להתפייס עם עצמו ואביו. ‬
‫ עם תום מלחמת העולם השנייה חזר אנרי קישקה לבלגיה מולדתו. הוא נעצר על-ידי הגסטאפו כשהיה בן שש-עשרה, ושרד לא רק את אושוויץ ובוכנוואלד, אלא גם שורה של צעדות מוות. הניצול היחיד מבני משפחתו. עם שובו נשא אשה והקים משפחה, אך כניצולי שואה רבים אחרים נותר אסיר של זיכרונותיו, זיכרונות שלא מדברים עליהם. החיים בבית התנהלו בצל סיוטים מושתקים, חשבונות לא גמורים עם הנאצים ועם היטלר, ואימה חסרת שם השוררת בכל. בנו, מישל קישקה, אזר עוז לאחר שנים רבות והחליט להתמודד עם העבר, של אביו ושל כל בני המשפחה. באופן טבעי בחר לעשות זאת באיורים, אך בפעם הראשונה בחייו גם כתב, ומהחיבור הזה נוצר רומן גראפי יחיד במינו על זכר השואה. קישקה פורם את מסכת ההשתקות, מנסה להבין מה עמד מאחוריהן, חושף בגילוי לב ובהומור את הכאב המשפחתי הבין-דורי ומצליח להתפייס עם עצמו ועם אביו. הדור השני: דברים שלא סיפרתי לאבא הוא יצירה מרגשת ורבת עוצמה. ‬
Subject
Caricatures and cartoons -- Israel.
Children of Holocaust survivors -- Belgium -- Biography -- Comic books, strips, etc.
Jewish cartoonists -- Israel -- Biography -- Comic books, strips, etc.
Graphic novels -- France -- 21st century
40950
 
 
 

741.5(569.4) קיש ‬ 
קישקה, מישל
חולון : המוזיאון הישראלי לקריקטורה ולקומיקס, [תשע"ה] 2014 ‬
Contents
דברי פתיחה -- על התערוכה והקטלוג / אסף גמזו-- מישל קישקה כותב על קומיקס ‬
Per.Sub.
Kishkah, Mishel -- Exhibitions
Subject
Comic books, strips, etc. -- Israel -- Exhibitions.
Caricatures and cartoons -- Israel -- Exhibitions.
Cartoonists -- Israel -- Biography.
Graphic novels -- History and criticism
Graphic novels -- Israel -- Exhibitions
40992
 
 
 

745:687.01(52) ימא ‬
ימאמוטו, יוז’י
חולון : מוזיאון העיצוב חולון, 2012 ‬
Abstract
זו הפעם הראשונה שהמעצב הנודע יוז’י ימאמוטו משתף פעולה עם מוזיאון ישראלי, ויציג בו תערוכת יחיד של עבודותיו. ימאמוטו (Yohji Yamamoto) הינו אחד ממעצבי האופנה החשובים והמשפיעים ביותר בעולם, אשר במשך יותר משלושה עשורים מוביל ומאתגר את עולם האופנה בסגנונו האוונגרדי, שאינו מושפע מטרנדים חולפים. השנה מציין בית האופנה ימאמוטו 40 שנות פעילות. בין המאמרים: פתח דבר מאת המעצב רון ארד, האנס אולריך אובריסט בראיון עם יוז’י ימאמוטו, דר’ שושנה-רוז מרזל "יוז’י ימאמוטו: מעצב, אמן והוגה", אניה אהרונובסקי קרונברג "יוז’י כמכשף", פני מרטין "צילומי האופנה בשלט רחוק של יוז’י ימאמוטו", דר’ עודד מנדה-לוי "אלמלא הייתי אדם הייתי רוצה להיות רחוב" ‬
Per.Sub.
Yamamoto, Yohji 1943-
Subject
Fashion -- Japan.
Fashion design -- Japan.
Fashion -- 20th century -- 1975-2000 -- Japan.
Fashion -- 21st century -- 2001 -- Japan.
Fashion designers
40974
 
 
 
חולון : מוזיאון העיצוב חולון, 2010 ‬
Subject
Clothing and dress -- Israel -- Exhibitions.
Clothing and dress
Fashion design
Costume
Costume design
Design and technology
40975
 
 

 745.52 PAR
Parry, Linda
London : Victoria and Albert Museum, 2013
Contents
Embroidery -- Printed textiles -- Woven textiles -- Carpets -- Tapestries -- Business and the retail trade -- Textiles in interiors -- Catalogue of Morris & Co. textiles
Abstract
 William Morris Textiles was the first comprehensive survey of the many hundreds of original, colorful textiles produced by William Morris (1834–1896) and the two commercial companies he founded and managed. To this day it remains the authority in the field, and this revised edition has been completely rewritten, reorganized, and expanded with beautiful new photography. Morris expert Linda Parry provides new insight into the embroideries, printed and woven textiles, carpets, and tapestries produced by Morris & Co., giving in-depth information about their design and manufacture. The varied, often highly specialized processes involved are discussed in detail, as are Morris’s working methods. Lavishly illustrated throughout, this is the unparalleled study of the subject.
Per.Sub.
Morris, William, 1834-1896
Corp.Sub.
Morris & Co. (London, England)
Subject
Textile design -- Great Britain -- History -- 19th century
Textile fabrics -- Great Britain -- History -- 19th century.
40874
 
 

747 SCH 
Schrager, Ian
New York : Rizzoli, 2015.
Contents
Studio 54 -- Palladium -- Morgans -- Letter from Philippe Starck -- Royalton -- Paramount -- Delano -- Mondrian -- St Martins Lane -- Sanderson -- Hudson -- Clift -- Shore Club -- Gramercy Park Hotel -- Public Chicago -- Essay by John Pawson -- 50 Gramercy Park North -- 40 Bond -- Chrystie Street -- Leroy Street -- The London edition -- The Istanbul edition -- The Miami Beach edition -- Residences at the Miami Beach edition -- The New York edition -- The Sanya edition -- The Abu Dhabi edition -- The Times Square edition -- Beach house -- Invitations and mailings timeline.
Abstract
 "Long awaited, this volume spans almost forty years of contemporary high design as masterminded by Ian Schrager. Known for being the originator of the mythical Studio 54, as well as a creator of the boutique hotel, Ian Schrager has done much more than create, design, and manage hotels, restaurants, clubs, residential buildings, and various real estate developments throughout the world--he has challenged and redefined the idea of luxury and glamour. These spaces are renowned destinations for evening social spaces and fabulous, memorable parties as well as restful, urban oases.This book presents many never-before-seen photographs from hotels such as the Morgans, Paramount, Delano, Mondrian, and the famed Gramercy Park Hotel in New York that Schrager collaborated on with the painter Julian Schnabel; residential properties, including 40 Bond Street and 50 Gramercy Park North; and the legendary club Studio 54.With more than 200 photographs and texts from the most important designers of our generation--including Philippe Starck, John Pawson, and Jacques Herzog, all of whom also have designed for Schrager--the book reveals some of the highest and most successful expressions of environmental curation to date. This volume will have an enduring impact on entrepreneurs, interior designers, industrial designers, and cultural communities alike."--Publisher website.
Per.Sub.
Schrager, Ian 1946-
Subject
Interior decoration -- United States -- Pictorial works.
Hotels -- Decoration.
40904
 
 
 
Paris : Flammarion, 2013
Abstract
This lavishly illustrated volume is a tribute to the designers who have made a lasting contribution to the history of interior design around the world, elevating the interior to an art form. John Saladino and Jacques Garcia are renowned contemporary designers; the clean lines and light-filled interiors of the former contrast with the luxurious, richly colored spaces created by the latter. But who were the leading designers in the seventeenth and eighteenth centuries, and which elements of their legacy remain relevant in interior design today? Respected interiors specialists Barbara and René Stoeltie chart the evolution of interior design from the seventeenth century to the present day and share their selection of significant designers from the last four hundred years. Arranged chronologically, the text places the designers in their historical context and details the primary elements that characterized their style or revolutionized taste in their day. The photographs provide a visually evocative overview of the designers’ key works, illustrating the overall impact of the room and the details that make each space memorable. These portraits of the designers and their chefs d’oeuvres demonstrate the aesthetic principles and creativity that shaped the history of interior design. From eighteenth-century interiors by Dennis Severs to Billy Baldwin’s elegant yet livable home design, or from Madeleine Castaing’s eclectic creations that blended antiques with art to the gracious curves and pastel hues of Charles Rennie Mackintosh’s art nouveau Hill House, and from Bill Willis’s interpretation of Orientalism in Marrakech to the clean and graphic lines of Andrée Putman’s sleek interiors, this volume abounds with inspiration.
Subject
Interior decorators -- History.
Interior decoration -- History.
Interior decoration -- History -- Pictorial works
40862
 
 

749.1(73) EAM (DEM)
Demetrios, Eames
Los Angeles, California : AMMO, [2012]
Abstract
"Eames: Beautiful Details” celebrates the seamlessness and fluidity in which Charles and Ray Eames operated as both a husband and wife team and as designers unrestricted by traditionally professional boundaries. Select details of their life and work, from their refined designs to their innovative experiments, and even including images depicting the everyday poetic moments of their lives, and are shared here in this exhibit within a book. Inspired by Charles’s immersive and original slideshows, in which he expertly selected and grouped images together that communicated information in an aesthetic, direct, and accessible way, this book strives to visually create the Eameses’ life and work by taking the viewer through a delightful journey, focusing on their ""beautiful details.""
The packaging design of the “Eames: Beautiful Details” slipcase is a pattern inspired by the triangles and colors of one of their most inventive, if lesser known, designs for children, simply called, ""the toy."" It also pays homage to the patterns they used on their well loved House of Cards. The Eameses brought a sense of humor and joy to everything they created, and the design and layout of the book aims to convey that spirit in a visual feast for the eyes. It is a testament to the Eameses and the lasting value of good design that their Eames lounge chair, created in 1956, endures today as perhaps the most recognizable and coveted piece of mid century furniture design. Their experiments in technological innovations, like molded plywood and fiberglass, resulted in such classic pieces as the bent plywood LCW and DCM Chairs, the Molded Plastic Chairs, and the Aluminum Group; all of which are still in production by Herman Miller.
Likewise, Charles and Ray designed and built their own home in 1949 in Pacific Palisades, and it is still revered as a landmark of modern architecture. Built as part of the Case Study program in California, sponsored by Arts & Architecture magazine, it was one of the earliest experiments in pre fab construction, using off the shelf industrial parts. But unlike the austerity of much of modern architectural design, their factory like shell was lovingly lived in along with their personal collections of folk art, treasures from their travels, and everyday objects refreshingly displayed with affection and without pretense. In exhibition design as well, ""Mathematica: A World of Numbers ... and Beyond, 1961,"" for IBM is considered groundbreaking as an interactive, educational, and experiential way to communicate the wonder and magic of math. Similarly, their seminal film, Powers of Ten, 1977, expresses the mathematical concept of multiplying to the tenth power, in a very direct, simple, and powerful way. Unlike any other book previously published on Charles and Ray Eames, this unique monograph is a visual celebration of their work and life, and was created in true collaboration with Charles’s grandson, Eames Demetrios, and other members of the Eames family.
Per.Sub.
Eames, Charles, 1907-1978
Eames, Ray, 1912-1988
Subject
Design -- United States -- History -- 20th century.
Furniture designers -- United States -- 20th century
Furniture design -- United States -- 20th century
40924
 
 

76.026(430) CHI 
Childress, Diana
Minneapolis : Twenty-First Century Books, 2008
Contents
A late medieval childhood -- Man of mystery: Gutenberg in Strasbourg -- The invention of printing -- The return to Mainz -- The spread of printing -- The print revolution.
Abstract
Can one invention really change the world? Before the mid-fifteenth century, books were printed by hand, making them rare and expensive. Reading and learning remained a privilege of the wealthy--until Johannes Gutenberg developed a machine called the printing press. Gutenberg, a German metalworker, began in the 1440s by making movable type--small metal letters that were arranged to form words and sentences, replacing handwritten letters. Movable type fit into frames on the printing press, and the press then produced many copies of the same page. As movable type and the printing press made book production much faster and less expensive, reading material of all kinds became available to a far wider audience. In Gutenberg’s time, Europe was already on the brink of a new age--an explosion of world exploration, scientific discoveries, and political and religious changes. Gutenberg’s printing press helped propel Europe into the modern era, and his legacy remains in the thousands of books and newspapers printed each year to keep us informed, entertained, and connected. Indeed, Gutenberg’s development of the printing press became one of history’s pivotal moments.
Per.Sub.
Gutenberg, Johann 1397?-1468 -- Juvenile literature.
Subject
Printers -- Germany -- Biography -- Juvenile literature
Printing -- History -- Origin and antecedents -- Juvenile literature.
40875
 
 

766 DEF 
Valentina D'Efilippo & James Ball.
The infographic history of the world
London : Collins, 2013
Contents
In the beginning -- Getting civilized -- Nation building -- The modern world.
Abstract
A new type of history is here – all 13.8 billion years of it, exploded into a visually jaw-dropping feast of facts, trends and timelines that tell you everything you’d ever want to know about the history of the world. From the primordial soup to the technological revolution of the 21st century, interesting stuff has been going on; and ever since prehistoric man scratched the first tally markings into a damp cave wall, we’ve been counting and measuring it all. Which historic warriors conquered the most territory, killed the most people, or had the largest empire? When did everything evolve? Which languages are related to which? What’s been invented and when? Where are we being born, and what are we dying of? Which countries are eating all the food, causing all the pollution and taking all the drugs? A story of civilisation and barbarism, of war and peace, this is history done in a new way – a beautifully designed collection of the most insightful and revealing trends that tell us what the human race has been up to, and where we’re heading.
Depicts the course of human history and civilization from prehistoric times to the present day in infographics, with a section on the political, social, economic, and technological trends of the twenty-first century.
Subject
Graphic arts
Graphic arts -- Pictorial works.
World history -- Pictorial works.
History -- Miscellanea.
40921
 
 
London : Phaidon Press, 2017.
Abstract
 Five hundred of the most iconic graphic designs of all time, from the beginnings of mechanical reproduction to the present The process of visual communication and problem-solving through the use of typography, space, image, and colour informs the way we connect across languages and cultures. Derived from the acclaimed Phaidon Archive of Graphic Design, this fascinating compendium celebrates the long, rich history of graphic design, from the first sample of movable type and the Nuremberg Chronicle of the fifteenth century to the cutting-edge magazines, posters, and ephemera of today. Compiled and written by a global team of experts, this book is international in its scope and appeal.
Subject
Graphic arts -- Catalogs.
Graphic art -- Pictorial works.
Graphic design (Typography) -- Catalogs.
Graphic arts -- History.
Graphic design (Typography) -- Pictorial works.
Graphic design (Typography) -- History.
40930
 
 
 

766:003.63 SCH
Scher, Paula
New York : Princeton Architectural Press, 2011
Abstract
In the early 1990s, celebrated graphic designer Paula Scher (Make It Bigger, 2002) began painting maps of the world as she sees it. The larger her canvases grew, the more expressionistic her geographical visions became. Displaying a powerful command of image and type, Scher brilliantly transformed the surface area of our world. Paintings as tall as twelve feet depict continents, countries, and cities swirling in torrents of information and undulating with colorful layers of hand-painted boundary lines, place-names, and provocative cultural commentary. Collected here for the first time, Paula Scher MAPS presents thirty-nine of Scher’s obsessively detailed, highly personal creations.
Per.Sub.
Scher, Paula -- Themes, motives.
Subject
Maps in art.
Cartography in art
Information visualization
40929
 
 

766:659.12 LIU 
Liukas, Linda author
New York : Feiwel & Friends, 2015
Abstract
"Hello Ruby is half picture book and half activity book rolled into one adorable package. It introduces programming without requiring a computer at all. The point of the book isn’t to teach you a programming language, but programming concepts." --GeekMom.com Meet Ruby―a small girl with a huge imagination, and the determination to solve any puzzle. As Ruby stomps around her world making new friends, including the Wise Snow Leopard, the Friendly Foxes, and the Messy Robots, kids will be introduced to the fundamentals of computational thinking, like how to break big problems into small ones, create step-by-step plans, look for patterns and think outside the box through storytelling. Then, these basic concepts at the core of coding and programming will be reinforced through fun playful exercises and activities that encourage exploration and creativity. In Ruby’s world anything is possible if you put your mind to it.
Target Aud. Note Ages 4-8.
Subject
Illustrated children’s books
Children’s literature -- Illustrations
Children’s stories -- Illustrations
Computer programming -- Juvenile literature.
Coding theory -- Juvenile literature.
Ruby (Computer program language.)
Critical thinking.
Imagination -- Fiction.
Animals -- Fiction.
Programming (Computers) -- Fiction.
Adventures and adventurers -- Fiction.
40849
 
 
 

766:659.133.1 POL 
Pollack, David author
Atglen, PA : Schiffer Publishing Ltd, [2016]
Abstract
From patriotism to militarism : changing the visual imagery from WWI to WWII -- The artists -- Collecting war posters : a guide to the basics -- The allies. United States ; Great Britain ; Canada ; Australia & New Zealand ; Liberated France -- The Axis. Japan, Italy & Germany -- The Marshall plan, European recovery program.
This book is a visual survey of posters printed by the United States, the Allies, and the Axis, and offers an overview of the various categories of propaganda posters created in support of the war effort: recruiting, conservation, careless talk/anti-espionage, bond/fundraising, morale, and more. With posters from all combatants, here is a look at propaganda used as a tool used by all parties in the conflict and how similar themes crossed national borders.
Subject
World War, 1939-1945 -- Posters -- Pictorial works.
Posters -- 20th century.
40928
 
 
 

77.033:72 HER (BEE) 
Beer, Olivier
Los Angeles, California : Getty Research Institute, 2004.
Abstract
Lucien Hervé (b. 1910), one of the great architectural photographers of the twentieth century, collaborated with Le Corbusier from 1949 until the renowned architect died in 1965. Hervé approached his subjects seeking not only to document the buildings he was commissioned to photograph but also, especially, to convey a sense of space, texture, and structure. Through light and shadow, Hervé defined the dialogue between substance and form. By delineating a strong contrast between light and shadow as well as placing emphasis on building details, the photographer was able to communicate the depth of a room, the surface of a wall, or the strength of a building’s framework. For too long, Hervé the master of architectural photography has eclipsed Hervé the photographer whose career began as early as 1938 and whose subject matter varied widely. Featuring more than one hundred of his photographs in every genre, this book celebrates Hervé’s work as an artist, creating images that serve not simply as records but stand as works of a singular imagination.
Per.Sub.
Hervé, Lucien.
Subject
Architectural photography -- France.
40571
 
 
 

 77.04 CUS
Custer, Delores 
Hoboken, New Jersey : Wiley, 2010
Contents
1. Food styling: an overview -- From home economist to food stylist: a history -- The smorgasbord of food styling -- What is food stylings? -- Business ethics: to enhance, stretch, or cheat? -- 2. The medium is everything -- Editorial food styling versus advertising -- Types of media we work in -- 3. Your food styling teammates -- Who hires food stylists? -- Who will you work with? -- 4. You got the job! Now what? -- Setting a schedule and keeping records -- Bidding and budgeting for the job -- 5. Prepping the assignment -- Starting off: the job folder -- How to read recipes, layouts, storyboards, and scripts -- Brainstorming at the preproduction meeting -- Getting it together: gathering food equipment, and props -- Shooting on location: hidden details -- 6. At the shoot -- Arriving and organizing -- Preparing the food for the shoot -- Styling for visual appeal and mouthwatering factor -- Working on the set -- The shot: it’s time to shoot the food -- Back to the office: things to do after the shoot -- 7. About photography -- Photographer’s role in a food shot -- Evolution of the camera -- Making a food image work -- Finding the camera angle -- 8. The basics of propping -- Prop stylist in action -- Determining the style: getting the right look -- 9. The basics of TV and film production work -- Food styling for television -- Food styling for film -- The cast of charactersin TV and film production -- Shooting: studio versus location -- Money issues: food budget and your fees -- Shooting a storyboard out of sequence -- 10. Food stylist’s tools of the trade -- Kit and the set tray -- Food stylist’s knife roll -- Other basic equipment: everything and the kitchen sink -- Tools and equipment at the photographer’s studio -- Homemade equipment to the rescue -- Contents in bottles, cans, and packages: a wealth of uses -- 11. Working with the food: overcoming challenges -- 12. The business of food styling -- 13. Beyond food sty
Abstract
A guide to styling food for photography, covering essential tools and equipment, preparing for a shoot, and techniques for arranging food.
Subject
Photography of food.
Food -- Pictorial works.
40939
 
 
 
San Rafael, California : Rocky Nook Inc., 2016
Contents
What gear do you need? -- Basics -- Lighting -- Image design and composition -- Styling -- Five food photography projects -- Image processing with Lightroom -- Tips and tricks -- Homemade props -- How to boost your creativity -- Now it’s your turn.
Abstract
Anyone who has been inspired to take a picture of a great-looking meal knows that creating a successful food photograph is not easy. Though the food may look amazing, the resulting image can often end up mediocre and unappealing. Whether you want to create great food images for your blog or break into the world of commercial food photography, Food Photography is the perfect place to start your journey. Corinna Gissemann, a professional food photographer, walks you through everything you need to know, starting with a primer on equipment and exposure, followed by a detailed explanation of the extremely important roles that light, composition, and styling play in food photography. In these chapters, you’ll learn all about hard vs. soft light, how to use reflectors and flash, how to frame your image so that your subject matter truly pops, the food styling techniques that will have your viewers getting hungry, and much more! Additionally, entire chapters are devoted to editing and managing your images in Lightroom, the props you need to have in order to create great food photos, and all the tips and tricks that will save you time and help make getting “the shot” that much easier.
Subject
Photography of food -- Amateurs’ manuals
40935
 
 
Chichester, West Sussex, UK : Wiley-Blackwell, 2014.
Contents
Before photography to invention: c. 380 B.C.E.-1839. -- Camera/Vision. -- Excerpts from the Allegory of the cave, in The republic / Plato -- The function of the eye, as explained by the Camera Obscura / Leonardo da Vinci -- Description of the Camera Lucida / William H. Wollaston -- Art/History. -- Excerpts on linear perspective, in On painting / Leon Battista Alberti -- Account of the late Mr. [Robert] Barker / Anonymous -- Description of the process of painting and effects of light invented by Daguerre, and applied by him to the pictures of the diorama / Louis-Jacques-Mandé Daguerre -- Invention to pictorialism: 1839-c. 1880. -- What is photography? -- Some account of the art of photogenic drawing / William Henry Fox Talbot -- The pencil of nature, a new discovery / Nathaniel Parker Willis and Timothy O. Porter, eds. -- Report [on the Daguerreotype to the Chamber of Deputies] / François Arago -- Art/History. -- Upon photography in an artistic view, and in its relations to the arts / Sir William J. Newton -- La photographie / Antoine Joseph Wiertz -- Photography / Eastlake, Lady (Elizabeth) -- Camera/Vision. -- The stereoscope and the stereograph / Oliver Wendell Holmes -- Combination printing, in Pictorial effect in photography / Henry Peach Robinson -- Annals of my glass house / Julia Margaret Cameron.
Pictorialism to/and/vs. modernism: c. 1880-c. 1920. -- Camera/Vision. -- Focussing, in Naturalistic photography for students of the art / Peter Henry Emerson -- The death of naturalistic photography / Peter Henry Emerson -- The hand camera : its present importance / Alfred Stieglitz -- Interdisciplinary approaches. -- Photo-chemical investigations and a new method of determination of the sensitiveness of photographic plates / Ferdinand Hurter and Vero C. Driffield -- Logic as semiotic : the theory of signs / Charles Sanders Peirce -- Intuition and art, in Æsthetic: as science of expression and general linguistic / Benedetto Croce -- The cinematographical mechanism of thought and the mechanistic illusion ..., in Creative evolution / Henri Bergson -- What should photographs look like? -- On the straight print / Robert Demachy -- What is a "straight print"? / Frederick H. Evans -- Photography and artistic-photography / Marius de Zayas.
Modernism to postmodernism: c. 1920-c.1960. -- Camera/Vision. -- Photography and the new God / Paul Strand -- Light : a medium of plastic expression / László Moholy-Nagy -- Seeing photographically / Edward Weston -- The camera’s glass eye / Clement Greenberg -- What should photographs look like? -- Aims / Albert Renger-Patzsch -- A personal credo / Ansel Adams -- Our illustrations / Frank R. Fraprie -- Photography at the crossroads / Berenice Abbott -- Art/History. -- Excerpts from Perspective as symbolic form / Erwin Panofsky -- The age of the world picture / Martin Heidegger -- Excerpts from Museum without walls / André Malraux -- Interdisciplinary approaches. -- Photography and typography / Jan Tschichold -- The making of a film, in Film as art / Rudolph Arnheim -- The ontology of the photographic image, in What is cinema? / André Bazin -- What is photography? -- Mechanism and expression, the essence and value of photography / Franz Roh -- Introduction to The decisive moment / Henri Cartier-Bresson -- Photography / Siegfried Kracauer.
Modernism and postmodernism to digital imaging: c. 1960-c.1990. -- Art/History. -- Equivalence : the perennial trend / Minor White -- Perspective, in Language of art / Nelson Goodman -- Can there ever again be a history of photography? / Peter C. Bunnell -- Introduction to Before photography : painting and the invention of photography / Peter Galassi -- New metaphorics : spirit and symbol in contemporary landscape photography / Gretchen Garner -- Camera/Vision. -- Introduction to The photographer’s eye / John Szarkowski -- Post-visualization / Jerry Uelsmann -- Introduction to New topographics / William Jenkins -- Interdisciplinary approaches. -- Excerpts from The world viewed / Stanley Cavell -- Notes on the index : seventies art in America / Rosalind Krauss -- Photography and fetish / Christian Metz -- Film, photography, and fetish : the analyses of Christian Metz / Ben Singer -- What is photography? -- On the nature of photography / Rudolf Arnheim -- Photography, vision and representation / Joel Snyder and Neil Walsh Allen -- The directorial mode : notes toward a definition / A.D. Coleman -- Selections from Transparent pictures : on the nature of photographic realism / Kendall L. Walton -- The photograph as post-industrial object : an essay on the ontological standing of photographs / Vilém Flusser -- Identity/Politics. -- The traffic in photographs / Allan Sekula -- Of Mother Nature and Marlboro men : an inquiry into the cultural meanings of landscape photography / Deborah Bright -- Excerpts from Right of inspection / Jacques Derrida -- Fetal images : the power of visual culture in the politics of reproduction / Rosalind Pollack Petchesky
Postmodernism and digital imaging (return to pictorialism?): c. 1990-c. 2010. -- What is digital photography? -- The transcendental machine? a comparison of digital photography and nineteenth-century modes of photographic representation / Diana Emery Hulick -- Photojournalism in the age of computers / Fred Ritchin -- Phantasm : digital imaging and the death of photography, in Metamorphoses / Geoffrey Batchen -- Escaping reality : digital imagery and the resources of photography / Barbara E. Savedoff -- Fixing the art of digital photography : electronic shadows / Ellen Handy -- Digital ontologies : the ideality of form in/ and code storage, or, Can graphesis challenge mathesis? / Johanna Drucker -- Identity/Politics. -- Do not doubt the dangerousness of the 12-inch-tall politician / David Wojnarowicz -- The politics of focus : feminism and photography theory / Lindsay Smith -- Re-picturing photography : a language in the making / Aphrodite Désirée Navab -- A painful labour : responsibility and photography / Sharon Sliwinski -- Camera/Vision. -- Clement Greenberg and Walker Evans : transparency and transcendence / Mike Weaver -- The shadows on the wall, in The reconfigured eye : visual truth in the post-photographic era / William J. Mitchell -- Of fish, birds, cats, mice, spiders, flies, pigs, and chimpanzees : how chance casts the historic action photograph into doubt / Robin Kelsey -- Art/History. -- The invisible dragon : on beauty I / Dave Hickey -- The idiom in photography as the truth in painting / Rosemary Hawker -- "Impressed by nature’s hand" : photography and authorship / Douglas R. Nickel -- Photography and memory. -- Surviving images : Holocaust photographs and the work of postmemory / Marianne Hirsch -- Visualizing memory : photographs and the art of biography / Deborah Willis -- Remembering September 11 : photography as cultural diplomacy / Liam Kennedy -- Through a glass, darkly : photography and cu
Abstract
Photographic Theory: An Historical Anthology presents a compendium of readings spanning ancient times to the digital age that are related to the history, nature, and current status of debates in photographic theory. •Offers an authoritative and academically up-to-date compendium of the history of photographic theory •Represents the only collection to include ancient, Renaissance, and 19th-, 20th-, and 21st-century writings related to the subject •Stresses the drama of historical and contemporary debates within theoretical circles •Features comprehensive coverage of recent trends in digital photography •Fills a much-needed gap in the existing literature
This book presents a compendium of readings spanning ancient times to the digital age that are related to the history, nature, and current status of debates in photographic theory. The book offers an authoritative and academically up-to-date compendium of the history of photographic theory, and represents the only collection to include ancient, Renaissance, and 19th-, 20th-, and 21st-century writings on the subject.
Subject
Photography -- Philosophy.
Photography -- History.
40940
 
 

77.04 YOU
Young, Nicole S.
Food photography : from snapshots to great shots / Second edition
San Francisco, California : Peachpit Press, 2015.
Contents
Food photography fundamentals -- Lighting -- Styling and props -- Framing and composition -- Let’s get social -- Processing images with Adobe Lightroom -- Behind the scenes.
Abstract
Do you need help making your food look as delicious as it tastes? Are you a “foodie” hungry for more tantalizing photos of your culinary creations? Do you have a food blog that you’d like to take to the next level, with better images and a stronger business strategy? Then this book is for you! In Food Photography: From Snapshots to Great Shots, Second Edition, photographer Nicole Young returns to dish up the basics on everything you need to know to make great food images, from getting the right camera equipment to mastering the key photographic principles of aperture, ISO, and shutter speed. She offers tips on styling food using props, fabrics, and tabletops; and she explains how to improve your photos through editing after the shoot. This new edition features many brand-new images and examples, accompanied by up-to-date discussions on achieving good lighting and composition. In addition Nicole covers developments in the industry that have emerged since the publication of the first edition, such as the entry of mirrorless cameras on the scene, and more. She also provides a brand new post-processing section focusing on Photoshop Lightroom, showing how to improve your photos through sharpening, color enhancement, and other editing techniques. Beautifully illustrated with large, vibrant photos, this book offers the practical advice and expert shooting tips you need to get the food images you want every time you pick up your camera.
"In Food Photography: From Snapshots to Great Shots, Second Edition, photographer Nicole Young returns to dish up the basics on everything you need to know to make great food images, from getting the right camera equipment to mastering the key photographic principles of aperture, ISO, and shutter speed. She offers tips on styling food using props, fabrics, and tabletops; and she explains how to improve your photos through editing after the shoot.This new edition features many brand-new images and examples, accompanied by up-to-date discussions on achieving good lighting and composition. In addition Nicole covers developments in the industry that have emerged since the publication of the first edition, such as the entry of mirrorless cameras on the scene, and more. She also provides a brand new post-processing section focusing on Photoshop Lightroom, showing how to improve your photos through sharpening, color enhancement, and other editing techniques. Beautifully illustrated with large, vibrant photos, this book offers the practical advice and expert shooting tips you need to get the food images you want every time you pick up your camera"--Page [4] of cover.
Subject
Photography of food.
Food presentation
Photography, Artistic
40936
 
 
 

82 מור ‬ 
מוריס, ויליאם
תל-אביב : רסלינג, 2015 ‬ 
Abstract
חדשות משום מקום (1890) היא יצירת הפרוזה הנודעת ביותר של וויליאם מוריס אשר פורסמה לראשונה בהמשכים בעיתון הרדיקלי "קומונוול" וראתה אור כספר רק שנתיים מאוחר יותר. עלילת הספר, או כפי שמוריס כינה אותו "פרקים מרומנסה אוטופית", מתרחשת באנגליה של שנת 2102, מאה חמישים שנה לאחר התפרצותה של מהפכה בשנת 1952 אשר בעקבותיה הלכה ונבנתה חברה חדשה ומופתית. עלילת "הרומנסה" נסובה סביב הציר של שני מסעות קצרים: הראשון – בתוך לונדון גופה; השני – שייט במעלה נהר התמזה בואכה אחוזת קֶלְמסקוֹט, ביתו הכפרי של וויליאם מוריס באוקספורדשייר, אשר במהלכם נפגש מבקר מהמאה ה-19, וויליאם גֶּסְט שמו, עם אנשיה ונופיה של חברת עתיד זו. מוריס מתאר חברה אוטופית זו של המאה ה-21 כחברה מבוזרת מבחינה פוליטית, שוויונית מבחינה חברתית, אסתטית לעילא בכל מה שנוגע בתרבותה החומרית וגן עדן אקולוגי מצד נופיה האורבניים והכפריים המתמזגים בנינוחות אלו באלו. חדשות משום מקום נכתב על רקע הוויכוח הפוליטי והאידיאולוגי שליווה את שנותיה המוקדמות של התנועה הסוציאליסטית האנגלית, ומהדהדים בה צלילים מרקסיסטיים מהפכניים יחד עם קולות ממורשתו הפוליטית-אסתטית של ג’ון רסקין, לצד מבט רומנטי אל העבר הימי-ביניימי כמקור השראה. כאוטופיה פוליטית וסב ‬
‫ חדשות משום מקום אינו דומה לשום אוטופיה אחרת; הקורא, ובכלל זה הקורא העכשווי, יכול להיכנס בגופו אל מרחבה הגיאוגרפי, להלך בשביליה, לשייט בנהרותיה ולבקר באתריה. ה"שומקום" מתברר כמקום מוחשי מאוד; כך יכול החיזיון האוטופי להיות לחלק מעולם-החיים של הקורא ולמרכיב פעיל בגיבוש הפרקסיס הפוליטי שלו. חדשות משום מקום רואה אור לראשונה בעברית בתרגומו של ד"ר משה אלחנתי מאוניברסיטת תל אביב, אשר הוסיף ביאורים מאירי עיניים ורבי השראה, הקדמה נרחבת על מוריס ותקופתו ואחרית דבר על אודות המורשת האקו-פוליטית של מוריס. ‬
Subject
Utopias
English fiction -- 19th century -- History and criticism.
40948
 
 
 

94(100)"1914/1918" GRA 
Grant, R.G.
London : Dorling Kindersley, 2014.
Contents
 I1. The troubled continent, 1870-1914 -- 2. Not over by Christmas, 1914 -- 3. Stalemate, 1915 -- 4. Year of battles, 1916 -- 5. Revolution and disillusion, 1917 -- 6. Victory and defeat, 1918 -- 7. Aftermath, 1919-1923.
Abstract
2014 marks the centennial of the start of World War I — DK will mark the occasion with the publication of World War I: The Definitive Visual Guide, a vividly illustrated, in-depth account of the Great War. Written by historian R. G. Grant, and created by DK’s award-winning editorial and design team, World War I charts the developments of the war from a global perspective. Using illustrated timelines, detailed maps, and personal accounts, readers will see the oft-studied war in a new light. Key episodes are set clearly in the wider context of the conflict, in-depth profiles look at the key generals and political leaders, and full-color photo galleries showcase the weapons, inventions, and new technologies that altered the course of history. A vivid portrait of the confrontation on land, sea, and sky, World War I: The Definitive Visual Guide offers readers a bold and thoughtful new look at this complex and explosive moment in history.
This is the definitive visual history of the people, politics and events of World War I. World War I: The Definitive Visual Guide is a fascinating portrait of a world at war, vividly portraying the conflicts of the Great War on land, sea and in the skies. This history book will tell you everything you ever wanted to know about the First World War. You will uncover the details of the Great War’s titanic battles such as Gallipoli, the Somme and Verdun that left an indelible mark on the collective memories of countries and that claimed a generation of young men. You can discover how local fears and hatreds escalated into one vast conflict that was fought out to the bitter end. You can find out about key battles, political and economic forces, individual leaders and technological advances that influenced the course of the First World War. Timelines show you the war unfolding across countries, providing an overview of developments in all the theatres of war. Packed with images, maps, portraits, key artefacts and unforgettable first person accounts, World War I: The Definitive Visual Guide is an uniquely accessible military history of one of the world’s most devastating conflicts.
Subject
 World War, 1914-1918 -- Battlefields.
World War, 1914-1918 -- Chronology -- Pictorial works.
World War, 1914-1918 -- History.
World War, 1914-1918 -- Pictorial works.
40927